Angels and Demons Read online

  Table of Contents

  Cover

  Copyright

  About the Author

  Also by Dan Brown

  Dedication

  Acknowledgments

  Fact

  Author’s Note

  Angels and Demons

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Chapter 57

  Chapter 58

  Chapter 59

  Chapter 60

  Chapter 61

  Chapter 62

  Chapter 63

  Chapter 64

  Chapter 65

  Chapter 66

  Chapter 67

  Chapter 68

  Chapter 69

  Chapter 70

  Chapter 71

  Chapter 72

  Chapter 73

  Chapter 74

  Chapter 75

  Chapter 76

  Chapter 77

  Chapter 78

  Chapter 79

  Chapter 80

  Chapter 81

  Chapter 82

  Chapter 83

  Chapter 84

  Chapter 85

  Chapter 86

  Chapter 87

  Chapter 88

  Chapter 89

  Chapter 90

  Chapter 91

  Chapter 92

  Chapter 93

  Chapter 94

  Chapter 95

  Chapter 96

  Chapter 97

  Chapter 98

  Chapter 99

  Chapter 100

  Chapter 101

  Chapter 102

  Chapter 103

  Chapter 104

  Chapter 105

  Chapter 106

  Chapter 107

  Chapter 108

  Chapter 109

  Chapter 110

  Chapter 111

  Chapter 112

  Chapter 113

  Chapter 114

  Chapter 115

  Chapter 116

  Chapter 117

  Chapter 118

  Chapter 119

  Chapter 120

  Chapter 121

  Chapter 122

  Chapter 123

  Chapter 124

  Chapter 125

  Chapter 126

  Chapter 127

  Chapter 128

  Chapter 129

  Chapter 130

  Chapter 131

  Chapter 132

  Chapter 133

  Chapter 134

  Chapter 135

  Chapter 136

  Chapter 137

  This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Epub ISBN: 9781409083948

  Version 1.0

  www.randomhouse.co.uk

  ANGELS AND DEMONS

  A CORGI BOOK : 9780552150736

  First publication in Great Britain

  PRINTING HISTORY

  Corgi edition published 2001

  315 317 319 320 318 316 314

  Copyright © Dan Brown 2000

  Ambigram Artwork © John Langdon

  The right of Dan Brown to be identified as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

  In this work of fiction, the characters, places and events are either the product of the author’s imagination or they are used entirely fictitiously. Any resemblance to actual persons, living or dead, is purely coincidental.

  Condition of Sale

  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

  Set in 10/12pt Palatino by

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  Addresses for Random House Group Ltd companies outside the UK. can be found at: www.randomhouse.co.uk The Random House Group Ltd Reg. No. 954009

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  About the Author

  Dan Brown is the bestselling author of Digital Fortress, Deception Point, Angels and Demons and The Da Vinci Code. He is a graduate of Amherst College and Phillips Exeter Academy, where he has taught English and creative writing. He lives in New England and can be found on the web at www.danbrownofficial.co.uk.

  www.rbooks.co.uk

  Also by Dan Brown

  DIGITAL FORTRESS

  DECEPTION POINT

  THE DA VINCI CODE

  For Blythe . . .

  ACKNOWLEDGMENTS

  A debt of gratitude to Emily Bestler, Jason Kaufman, Ben Kaplan, and everyone at Pocket Books for their belief in this project.

  To my friend and agent, Jake Elwell, for his enthusiasm and unflagging effort.

  To the legendary George Wieser, for convincing me to write novels.

  To my dear friend Irv Sittler, for facilitating my audience with the Pope, secreting me into parts of Vatican City few ever see, and making my time in Rome unforgettable.

  To one of the most ingenious and gifted artists alive, John Langdon, who rose brilliantly to my impossible challenge and created the ambigrams for this novel.

  To Stan Planton, head librarian, Ohio University – Chillicothe, for being my number one source of information on countless topics.

  To Sylvia Cavazzini, for her gracious tour through the secret Passetto.

 
And to the best parents a kid could hope for, Dick and Connie Brown . . . for everything.

  Thanks also to CERN, Henry Beckett, Brett Trotter, the Pontifical Academy of Science, Brookhaven Institute, FermiLab Library, Olga Wieser, Don Ulsch of the National Security Institute, Caroline H. Thompson at University of Wales, Kathryn Gerhard and Omar Al Kindi, John Pike and the Federation of American Scientists, Heimlich Viserholder, Corinna and Davis Hammond, Aizaz Ali, the Galileo Project of Rice University, Julie Lynn and Charlie Ryan at Mockingbird Pictures, Gary Goldstein, Dave (Vilas) Arnold and Andra Crawford, the Global Fraternal Network, the Phillips Exeter Academy Library, Jim Barrington, John Maier, the exceptionally keen eye of Margie Wachtel, alt.masonic. members, Alan Wooley, the Library of Congress Vatican Codices Exhibit, Lisa Callamaro and the Callamaro Agency, Jon A. Stowell, Musei Vaticani, Aldo Baggia, Noah Alireza, Harriet Walker, Charles Terry, Micron Electrics, Mindy Renselaer, Nancy and Dick Curtin, Thomas D. Nadeau, NuvoMedia and Rocket E-books, Frank and Sylvia Kennedy, Simon Edwards, Rome Board of Tourism, Maestro Gregory Brown, Val Brown, Werner Brandes, Paul Krupin at Direct Contact, Paul Stark, Tom King at Computalk Network, Sandy and Jerry Nolan, Web guru Linda George, the National Academy of Art in Rome, physicist and fellow scribe Steve Howe, Robert Weston, the Water Street Bookstore in Exeter, New Hampshire, and the Vatican Observatory.

  FACT

  The world’s largest scientific research facility – Switzerland’s Conseil Européen pour la Recherche Nucléaire (CERN) – recently succeeded in producing the first particles of antimatter. Antimatter is identical to physical matter except that it is composed of particles whose electric charges are opposite to those found in normal matter.

  Antimatter is the most powerful energy source known to man. It releases energy with 100 per cent efficiency (nuclear fission is 1.5 per cent efficient). Antimatter creates no pollution or radiation, and a droplet could power New York City for a full day.

  There is, however, one catch . . .

  Antimatter is highly unstable. It ignites when it comes in contact with absolutely anything . . . even air. A single gram of antimatter contains the energy of a 20-kiloton nuclear bomb – the size of the bomb dropped on Hiroshima.

  Until recently antimatter has been created only in very small amounts (a few atoms at a time). But CERN has now broken ground on its new Antiproton Decelerator – an advanced antimatter production facility that promises to create antimatter in much larger quantities.

  One question looms: Will this highly volatile substance save the world, or will it be used to create the most deadly weapon ever made?

  AUTHOR’S NOTE

  References to all works of art, tombs, tunnels, and architecture in Rome are entirely factual (as are their exact locations). They can still be seen today.

  The brotherhood of the Illuminati is also factual.

  PROLOGUE

  Physicist Leonardo Vetra smelled burning flesh, and he knew it was his own. He stared up in terror at the dark figure looming over him. ‘What do you want!’

  ‘La chiave,’ the raspy voice replied. ‘The password.’

  ‘But . . . I don’t—’

  The intruder pressed down again, grinding the white hot object deeper into Vetra’s chest. There was the hiss of broiling flesh.

  Vetra cried out in agony. ‘There is no password!’ He felt himself drifting toward unconsciousness.

  The figure glared. ‘Ne avevo paura. I was afraid of that.’

  Vetra fought to keep his senses, but the darkness was closing in. His only solace was in knowing his attacker would never obtain what he had come for. A moment later, however, the figure produced a blade and brought it to Vetra’s face. The blade hovered. Carefully. Surgically.

  ‘For the love of God!’ Vetra screamed. But it was too late.

  1

  High atop the steps of the Great Pyramid of Giza, a young woman laughed and called down to him. ‘Robert, hurry up! I knew I should have married a younger man!’ Her smile was magic.

  He struggled to keep up, but his legs felt like stone. ‘Wait,’ he begged. ‘Please . . .’

  As he climbed, his vision began to blur. There was a thundering in his ears. I must reach her! But when he looked up again, the woman had disappeared. In her place stood an old man with rotting teeth. The man stared down, curling his lips into a lonely grimace. Then he let out a scream of anguish that resounded across the desert.

  Robert Langdon awoke with a start from his nightmare. The phone beside his bed was ringing. Dazed, he picked up the receiver.

  ‘Hello?’

  ‘I’m looking for Robert Langdon,’ a man’s voice said.

  Langdon sat up in his empty bed and tried to clear his mind. ‘This . . . is Robert Langdon.’ He squinted at his digital clock. It was 5.18 a.m.

  ‘I must see you immediately.’

  ‘Who is this?’

  ‘My name is Maximilian Kohler. I’m a discrete particle physicist.’

  ‘A what?’ Langdon could barely focus. ‘Are you sure you’ve got the right Langdon?’

  ‘You’re a professor of religious iconology at Harvard University. You’ve written three books on symbology and—’

  ‘Do you know what time it is?’

  ‘I apologize. I have something you need to see. I can’t discuss it on the phone.’

  A knowing groan escaped Langdon’s lips. This had happened before. One of the perils of writing books about religious symbology was the calls from religious zealots who wanted him to confirm their latest sign from God. Last month, a stripper from Oklahoma had promised Langdon the best sex of his life if he would fly down and verify the authenticity of a cruciform that had magically appeared on her bed sheets. The Shroud of Tulsa, Langdon had called it.

  ‘How did you get my number?’ Langdon tried to be polite, despite the hour.

  ‘On the Worldwide Web. The site for your book.’

  Langdon frowned. He was damn sure his book’s site did not include his home phone number. The man was obviously lying.

  ‘I need to see you,’ the caller insisted. ‘I’ll pay you well.’

  Now Langdon was getting mad. ‘I’m sorry, but I really—’

  ‘If you leave immediately, you can be here by—’

  ‘I’m not going anywhere! It’s five o’clock in the morning!’ Langdon hung up and collapsed back in bed. He closed his eyes and tried to fall back asleep. It was no use. The dream was emblazoned in his mind. Reluctantly, he put on his robe and went downstairs.

  Robert Langdon wandered barefoot through his deserted Massachusetts Victorian home and nursed his ritual insomnia remedy – a mug of steaming Nestlé’s Quik. The April moon filtered through the bay windows and played on the oriental carpets. Langdon’s colleagues often joked that his place looked more like an anthropology museum than a home. His shelves were packed with religious artifacts from around the world – an ekuaba from Ghana, a gold cross from Spain, a cycladic idol from the Aegean, and even a rare woven boccus from Borneo, a young warrior’s symbol of perpetual youth.

  As Langdon sat on his brass Maharishi’s chest and savored the warmth of the chocolate, the bay window caught his reflection. The image was distorted and pale . . . like a ghost. An aging ghost, he thought, cruelly reminded that his youthful spirit was living in a mortal shell.

  Although not overly handsome in a classical sense, the forty-five-year-old Langdon had what his female colleagues referred to as an ‘erudite’ appeal – wisps of gray in his thick brown hair, probing blue eyes, an arrestingly deep voice, and the strong, carefree smile of a collegiate athlete. A varsity diver in prep school and college, Langdon still had the body of a swimmer, a toned, six-foot physique that he vigilantly maintained with fifty laps a day in the university pool.

  Langdon’s friends had always viewed him as a bit of an enigma – a man caught between centuries. On weekends he could be seen lounging on the quad in blue jeans, discussing computer graphics or religious history with students; other times he could be spotted
in his Harris tweed and paisley vest, photographed in the pages of upscale art magazines at museum openings where he had been asked to lecture.

  Although a tough teacher and strict disciplinarian, Langdon was the first to embrace what he hailed as the ‘lost art of good clean fun.’ He relished recreation with an infectious fanaticism that had earned him a fraternal acceptance among his students. His campus nickname – ‘The Dolphin’ – was a reference both to his affable nature and his legendary ability to dive into a pool and outmaneuver the entire opposing squad in a water polo match.

  As Langdon sat alone, absently gazing into the darkness, the silence of his home was shattered again, this time by the ring of his fax machine. Too exhausted to be annoyed, Langdon forced a tired chuckle.

  God’s people, he thought. Two thousand years of waiting for their Messiah, and they’re still persistent as hell.

  Wearily, he returned his empty mug to the kitchen and walked slowly to his oak-paneled study. The incoming fax lay in the tray. Sighing, he scooped up the paper and looked at it.

  Instantly, a wave of nausea hit him.

  The image on the page was that of a human corpse. The body had been stripped naked, and its head had been twisted, facing completely backward. On the victim’s chest was a terrible burn. The man had been branded . . . imprinted with a single word. It was a word Langdon knew well. Very well. He stared at the ornate lettering in disbelief.

  ‘Illuminati,’ he stammered, his heart pounding. It can’t be . . .

  In slow motion, afraid of what he was about to witness, Langdon rotated the fax 180 degrees. He looked at the word upside down.

  Instantly, the breath went out of him. It was like he had been hit by a truck. Barely able to believe his eyes, he rotated the fax again, reading the brand right-side up and then upside down.

  ‘Illuminati,’ he whispered.

  Stunned, Langdon collapsed in a chair. He sat a moment in utter bewilderment. Gradually, his eyes were drawn to the blinking red light on his fax machine. Whoever had sent this fax was still on the line . . . waiting to talk. Langdon gazed at the blinking light a long time.

  Then, trembling, he picked up the receiver.

  2

  ‘Do I have your attention now?’ the man’s voice said when Langdon finally answered the line.